Tanya Bickley Enterprises
Randall Kenan

Randall Kenan
Randall Kenan
Author and Writer

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James Baldwin’s The Fire Next Time was one of the essential and galvanizing books of the American civil rights movement.  In the wake of Hurricane Katrina, with a new generation of Americans confronting what Baldwin called our “racial nightmare,” Randall Kenan in The Fire This Time (Melville House, 2007) asks, “How far have we come?”  Mr. Kenan notes that despite dramatic advances, new issues have combined with old to bedevil us.  Religion so key in the sixties—both Christian and Muslim—has become more dominant and intolerant.  The government and courts have shifted to the right, while Hip-hop has replaced the stirring music so vital to the sixties movement.

Like Baldwin, Mr. Kenan is acclaimed for both his fiction and nonfiction, which include a biography of Baldwin and numerous essays on issues that concern him—such as class, religion, being a gay African American, and the failing perception that America has conquered racism.  The shocking revelations of New Orleans confirmed a shameful truth.  Randall Kenan declares that truth and seeks its transcendence in his impassioned new book.

Mr. Kenan is also the author of Walking on Water, Black American Lives at the Turn of the Twenty-First Century (Alfred A. Knopf, March 1999), which is a profoundly moving and provocative account of the thinking, feelings and lives of African Americans in the nineties.  Mr. Kenan spent eight years traversing the United States and gathered more than 200 vivid and various interviews, which disclose the wide range of experience in black American life.  In its March 14, 1999 review of Walking on Water, The New York Times said,  “In talking to individuals seemingly so unrepresentative of the group he wants to understand, Kenan violates every rule of the sociologist. And that may just be the reason his book succeeds so well as a work of insight and compassion.”

Of his second book, Let the Dead Bury Their Dead (Harcourt Brace Jovanovich, 1992) Henry Louis Gates, Jr. wrote, “By turns erotic, funny and poignant, Randall Kenan’s stories are animated by an unflagging inventiveness and a generous moral imagination.  Kenan is truly a fabulist of our times.”  The book was nominated for the Los Angeles Times Book Award for fiction, was a finalist for the National Book Critics Circle Award, and was among The New York Times Notable Books of 1992.  Told in a montage of voices and memories, his first novel, A Visitation of Spirits (Random House, 1989) illustrates just how richly a black Southern family’s present is populated with the spirits of the past and future.  Mr. Kenan is also the author of a young adult biography, James Baldwin: American Writer (Chelsea House Publications, 1993) and wrote the text for Norman Mauskopf’s book of photographs, A Time Not Here:  The Mississippi Delta (Twin Palms, 1996).

Born in Brooklyn, NY, in 1963, Randall Kenan spent his childhood in Chinquapin, NC.  He graduated from the University of North Carolina, Chapel Hill, and then worked on the editorial staff of Alfred A. Knopf, Inc.  In 1989 he began teaching writing at Sarah Lawrence College and Columbia University.  He was the first William Blackburn Visiting Professor of Creative Writing at Duke University in 1994, the Edouard Morot-Sir Visiting Professor of Creative Writing at his alma mater in 1995.  Subsequently, he was the John and Renee Grisham Writer-in-Residence at the University of Mississippi, and then taught at the University of Memphis.  Mr. Kenan currently teaches writing at UNC Chapel Hill. He is a recipient of a Guggenheim Fellowship, a Whiting Writers Award, and the John Dos Passos Prize.

People Are Saying

 “Kenan's latest, alternating memoir and commentary, is an intelligent homage to James Baldwin's celebrated 1963 The Fire Next Time, and an important book…”                                       August 13, 2007 issue, Publisher’s Weekly 

“Randall Kenan continues Baldwin’s legendary tradition of ‘telling it on the mountain.’”
                                            
San Francisco Chronicle

“an essay which pays homage to Baldwin while forming a rousing wake-up call.”                                                               John Freeman                                                               The Star-Ledger (Newark, New Jersey)                                                               Sunday, July 29, 2007  

UNC professor's essays offer hope for race relations
 

“A few days ago, as I was waiting in line to pump gasoline, I noticed a scene at the opposite pump that made me take notice. I had my windows down, had turned off the engine, and heard that unmistakable bass line from a hip-hop song coming from the car at the opposite pump. 

The driver of the car, who happened to be an African-American man, was outside pumping gasoline, while his friend, who happened to be a white guy, sat in the passenger seat reciting the words to this rap, earnestly trying to get the words and nuances right. I was taken back to a wonderful passage in author and UNC professor Randall Kenan's new book of essays. In this essay, Kenan expresses his longtime admiration for the 1971 television movie "Brian's Song," about the friendship between African-American football player Gayle Sayers and his white teammate, Brian Piccolo. I'm speculating here, but I wondered if I was having a brief look at a Sayers-Piccolo relationship at the gasoline pump. I can only guess at the role music played in what looked to me to be a genuine buddy relationship. Had rap, born of black Americans, bridged some kind of artificial divide between these two friends?

 Then again, perhaps for these two men, much younger than me, that divide never existed. In our time, more than 40 years after Lyndon Johnson signed the Civil Rights Act, they could simply be buddies -- with a relaxed casualness that often eluded people of my age. Maybe I was viewing them through the lens of an older man who saw some of the tussles during the earlier days of integration -- when color (or was it culture?) seemed to matter more -- and assumed those obstacles might still be with these two men. 

The scene made me hopeful, as does Kenan's insightful, taut, elegantly written collection of essays. Kenan, whose works include a biography ofJames Baldwin, has written an answer to Baldwin's essay "The Fire Next Time" (published as an essay in The New Yorker 45 years ago this month). As an essayist Baldwin -- who lived as an expatriate for a portion of his writing career -- was hopeful that America would live up to its egalitarian ideals, but his hope was cautious, tempered by his bitter personal experience with segregation and Jim Crow laws. 

In his reply to Baldwin, Kenan does not offer a Pollyannaish view of the early 21st century. He tells us that we still do not know how to talk about this thing called race -- a term Kenan wants to retire. He criticizes modern America as a culture that "praises anti-intellectualism," an anti-intellectualism that he believes precludes our having a thoughtful discussion of race. Instead, we have superficial discussions, rooted "in a culture that finds it difficult to have any sustained and serious discussion about anything difficult and fraught, be it death or health care or abortion," a trait that often leaves Americans "[hollering] from a set script." In the not so distant past, the discussion of matters of race, by contrast, was "more visceral. ...People actually wanted to get somewhere. Somewhere new. Somewhere better." He laments that a scene from "Brian's Song" and its depiction of honest interactions among people of different backgrounds (read Kenan's book to find out the details) cannot be found on television today. 

Kenan also is mindful of the disparities that continue to haunt the black community -- high unemployment and school dropout rates, large numbers of black men in prisons, and the HIV/AIDS epidemic. 

But Kenan refuses to give in to despair, which he believes "seems churlish" when the history of black Americans is so full of triumphs as well as tribulations. He cites the many African-American success stories in business, and hails the military as an example of an integrated meritocracy. His writing soars in his final essay, where he cites Malcolm Gladwell, Oprah Winfrey, Sen. Barack Obama and other successful black Americans as "emblems of a New Negro." They are widely respected, but their admirers do not make an issue of "their obvious and undeniable blackness." This is not the same as color-blindness: "One is not magically 'colorless': color simply becomes another element in the mix, ceases to be a barrier." 

Kenan's message is not that all is perfect with America, but he is able to write with an optimism that Baldwin never found in his time. Kenan believes that African-Americans -- and, by extension, all Americans - are continuing to overcome, to secure the blessings of liberty for all. One cannot read this book without coming away with feelings of hope. We may continue to stumble at times in what Wynton Marsalis has called this dance we've been doing since the founding of the republic. But reading Randall Kenan, one knows somehow that the dance is worth each step. Like those two buddies at the gasoline pump, maybe we are on our way to "somewhere better."
                                                      Cliff Bellamy
                                                      © The Herald-Sun (Durham, NC)                
                                                      Sunday, August 26, 2007 Final 

                                                      Published on TBE website with permission

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